Selling Happiness? A Disney Insiders Thoughts on “Escape From Tomorrow”: Part 2

Selling Happiness?  A Disney Insiders Thoughts on “Escape From Tomorrow”: Part 2

I can’t believe the Disney merchandise people haven’t thought of this headgear yet .

“Life is pain, Highness.  Anyone who says differently is selling something.”

Wesley – The Princess Bride

Just shy of 50 years ago in November of 1963 Walt Disney flew over a swamp and said “I’m going to make that place the happiest place on earth and people from all over the world are going to come to it.”  Realizing that most people don’t equate happiness with festering stench holes filled with snakes, Walt decided he was going to make Walt Disney World on top of that place.  So, he snatched up 43 square miles of land using false names (you can see those names in the windows of Main Street), started building,  and now that swamp is 4 theme parks, 2 water parks, 20 Resorts, 5+ complexes, golf courses, and only the occasional snake.  (True story:  I saw more snakes at Walt Disney World than I did living 6 years in Australia.  One of those fanged nogoodniks actually bit me in the Canadian pavilion at Epcot. )

When you become a cast member at Walt Disney World the first thing you do is take a course called Traditions which tells you the story of WDW.  In that class they show you a video from long ago of Walt all duded up with a grey suit pointing a ridiculously long stick at various places on a floor to ceiling map promising a place dedicated to the happiness of everyone who would come to visit.  (You can check out the video here: http://www.youtube.com/watch?v=pxC_a7qnGi8)  The new cast members are then told that they are going to help make his promise true.  No pressure new cast member, you’re just responsible for making people from all over the world happy.  Here’s a puffy Mickey glove – good luck!

And this is where the mind control plant will be …

The thing with people, and I know because I am one, is that people are fickle things.  Last night I stood paralyzed in front of the refrigerator 5 minutes trying to make a choice between a Poptart (chocolate fudge) and an apple.  Most people have no clue what will make them happy and even when they do experience happiness it may be gone as quickly as a pop tart at midnight.  Too quickly delicious Poptart … *sigh* … too quickly.

So getting back to Mr. Randy Moore and Escape From Tomorrow, Randy apparently has a beef with this happiness deal and how it all goes down at the mouse house.  You see, Disney World in general is a larger version of Disneyland which is itself a place Walt Disney created for the purposes of having a nice place to visit on a Sunday with his daughter that didn’t involve carnie folk. (Another true story: Walt was a bit afraid of carnies.)  Disneyland grew from that idea to become a safe place for amusement that people everywhere could come to to be enveloped in stories told by people who love telling stories.  Every part of the parks and surrounding areas are built to tell stories from the ground you walk on to the music you hear.  Every person working is called a “cast member” because they all become an actor playing a role.  I’m going to get back to this in the next installment, but Disney approaches that fickle thing called happiness by letting people physically interact in stories associated the world round with happiness and excitement for children.

As a child, Randy was affected positively by this story telling.  Then, Randy’s relationship with his dad, who took him to WDW, disintegrated and when Randy returned with his child he felt conflicting emotions surrounding the positive memories he had as a child and the one’s that replaced them.  As an adult, Randy found himself weirded out by these conflicting emotions and came to think that maybe Walt Disney has insidiously constructed some false land where people are brainwashed into living completely in the moment of those constructed, false values by the 60,000 + cast members that are all Manchurian Candidated into propagating.  Get ready for some upliftment, friends, because your soul will certainly be soaring after these inspiring Randy Moore quotes about Walt Disney World and his feelings toward it now!*

“It’s kind of madness. Everyone’s saying, “Celebrate the magic, believe,” that kind of stuff. There was a moment when we were at the phantasmic show in Orlando. It’s at their MGM studio park. At one moment in the middle of the show, there was this hail of pyrotechnics, and all of a sudden, Mickey just appears on the stage at the top of this mountain. There are lasers everywhere. Adults all around me literally gasped as if a god had appeared before them. This was genuine emotion. Somehow they had been brought back to whatever it was they felt when they were kids. At one point when we were shooting one day we were riding to the park and a mother was telling her kids, “Listen, for mommy, Disney World really is magic, so you guys have to behave.” My director of photography and I were listening to this and thinking, “This is the weirdest thing we’ve ever heard.” This woman has been just deeply affected. She believed the magic.”

Ah, what a gem.  Believing that wonderful things beyond your imagination can happen is “madness” and “weird”.  Thank you, Randy! More please.

I’d gone on the first real Disney World trip with my wife, who’d never been there, and my two kids. She’s a nurse and goes between floors at hospitals. At one point she turned to me at some princess fair or something and said, “This is worse than working the psych world at the hospital.” Which is not the easiest floor to handle. So I started seeing it through her eyes, from a foreigner perspective: She’s from Kurkistan, part of the former Soviet republic. “

I love that he clarified that the psych ward is “not the easiest floor to handle.“.  I have always wondered about that.  Finally a formerly Russian nurse came to sate my curiosity.  I don’t know about you, but I just need more from Moore!  I’m hooked on these soul filling  and not-at-all-insulting-to-millions-of-people quotes!  How about these dandies?

“I don’t consider myself a rebel, but I have kids, and you cannot keep Disney from invading their minds.”

“I’d like people to come out of the film thinking about the hidden nature of all things.”

Man, Randy is depressing.  But is Randy right?

Please allow me a response.

***

Three hour wait for Toy Story Mania. Huh. I’m starting to question this whole “Disney” thing.

Continued in Part 3 tomorrow.

Quotations are taken from “Five Questions with Escape From Tomorrow Director Randy Moore” at the Filmmaker website http://filmmakermagazine.com/63249-five-questions-with-escape-from-tomorrow-director-randy-moore/ and from “Sundance 2013: ‘Escape From Tomorrow’ Director Randy Moore Says ‘I’m a Product of Disneyworld’” by Eric Kohn at the Indiewire website http://www.indiewire.com/article/sundance-interview-escape-from-tomorrow-director-randy-moore-says-im-a-product-of-disney-world

Selling Happiness? A Disney Insiders Thoughts on “Escape From Tomorrow”

Selling Happiness?  A Disney Insiders Thoughts on “Escape From Tomorrow

by Todd Tipton

 Image

While I was working at Epcot in the summer of 2008 I came across a family setting up for a picture across the World Showcase Lagoon with the Big Golf Ball .. er .. Spaceship Earth .. majestically in the background.  Being  a good cast member I stopped and asked the family if they would like me to take the photo.  They agreed and I, a veteran Disney photographer by this time, asked them the question I asked before all photos at W.D.W. to get smiles.

“What does Mickey Mouse like?!?”

The family looked back at me in their Goofy hats and shouted “CHE-E-E-ESE!!!”

Well, all except for one little boy who instead shouted “MONEY-Y-Y-Y!!!!!!!!!”

I was laughing so hard I had to retake the photo.

This year, a film that is essentially a feature version of the story above called Escape From Tomorrow caused a bit of a stir at the Cannes film festival.  Said stir emulsified in response to film maker Randy Moore, not just because he bothered to make a dystopian, David Lynchesque film about the happiest place on earth, but because, *gasp!*, he did so by gorilla filming in the parks themselves.  No, I do not mean magical Disney gorilla’s filmed him, although I would definitely see that film.  Instead I mean that he shot scenes in the theme parks without getting permission.  Oh no you didn’t Randy Moore!!!!!!

As you can imagine from the fact that he did not get permission, the point of the film isn’t particularly complimentary to Disney.  The plot centers on an unemployed father losing his grip on reality during a trip to Walt Disney World leading to surreal hi-jinx around the parks like getting into fights with characters, implying that some of the princess characters are actually hookers for Japanese businessmen, and calling Spaceship Earth a “testicle” all in an attempt to justify a line at the end of the film that is apparently the profound statement it was made to deliver: “You can’t be happy all of the time.  It’s just not possible”.

Well, that and to tell us that Mickey likes money.

I have not seen Escape FromTomorrow.  I mean, I would watch it but I highly doubt I or any of you good readers will ever get the opportunity to do so because Moore violated a whole clown car full of intellectual property rights in filming this on WDW property without permission and would likely get his chip ‘n’ dales handed to him in a colorful gift bag by Disney snipers/lawyers if it ever approaches a watchable medium.  So, it may seem funny that I’m going to do a review of a film I haven’t seen.  However, I don’t need to watch the film to weigh in on the moral of it which has been clearly stated by the film maker.  A few years ago I came to Walt Disney World as a non-Disneyphile and managed to get myself into a spot working 6 months in a position that was the ultimate insider’s view of the entire operation: 4 theme parks, 2 water parks, golf courses, arenas, shopping areas, 20+ resorts, and 60,000 + cast members.  I had unparalleled views into the nuts and bolts of the operation of the parks throughout entire seasons, interacted with cast members across the spectrum of company hierarchy, and had complete access to the inner workings of the minds of the Disney guest s from all over the world.   I have ideal experience to comment on the things asserted for our consideration in this film.

So, did I come away jaded with the Mouse ?   Is Walt Disney World truly the happiest place on earth?  Is it what this film says it is?  Is Disney a soulless, insidious corporation only looking after its bottom line?  Does it peddle happiness like a cheap commodity?  Does it attempt to control the very definition of happiness and force it on others by marketing into the subconscious of children through colorful characters?  Does Walt’s cryogenic head lie under the bowels of Spaceship Earth awaiting mourners like Stalin’s body?

And what of the faith I profess?  Can you love Christ and still approve of Disney?

Step out of your car and into the cabin of a written monorail headed towards the answers of these questions and more in this three part series:  Selling Happiness?  A Disney Insiders Thoughts on “Escape From Tomorrow”.

Por favor mantenganse alejado de las puertas …

 

********************************************************************************

What On The Waterfront Thinks – Oscar Series #6

(All media is telling you something.  This is the sixth post of a series where I take a look at the thoughts conveyed through Oscar winning movies. This isn’t a typical critique where I say I liked blah about the movie because of blahbity blah.  I’ll make an attempt to take a look at themes in general and on Jesus and Christianity.  Spoilers are a necessity on this so be warned!  I will assume you have already watched this movie.  Previous entry in series: The Deer Hunter.)

On The Waterfront

Best Picture, Best Actor (Marlon Brando), Best Supporting Actress (Eva Marie Saint), Best Writing, Best Director (Elia Kazan) – 1954

“Some people think the Crucifixion only took place on Calvary.  Well, they better wise up!” – Father Barry

On The Waterfront thinks that evil prevails when good men are more concerned about suffering for doing good than the good itself.  On the Waterfront is in many ways a follow up to the thinking in Gentleman’s Agreement, Elia Kazan’s first Academy Award Best Picture winner (which will be discussed next in the series).  Gentleman’s Agreement focused on the necessity of action in individual, small, everyday ways to combat society wide prejudice.  On the Waterfront addresses the need for dynamic and bold action by community to protect itself.

On the Waterfront’s focus on how that bold change occurs centers on an appeal to authentic faith.  Father Barry follows the quotation above by saying that anyone who stands by and sees a good man be punished for his goodness without doing anything about it is like the soldier who stood in front of a crucified Jesus and did nothing.  On the Waterfront tells us that real Christianity acts.  Doing nothing makes you complicit.  You become just as guilty as if you were doing it yourself by not standing up for the good.

The film backs up this message through the story of its main character, Terry Malloy.  Terry’s philosophy of life is simple, summed up in these snippets:

“Which side are you with?” – Edie

“Me? I’m with me, Terry.” – Terry

 “Shouldn’t everybody care about everybody else?” – Edie

“Boy, What a fruitcake you are!  Hey, you wanna hear my philosophy of life?  Do it to him before he does it to you” – Terry

Terry, however, in the glow of Edie’s goodness and love, is forced to come to grips that he was not just a nobody for his attitude.  He realized that he was, in his words, a bum.  He was a guy with no class.

On the Waterfront is passionate about Terry redeeming himself.  In fact, the subtitle to the film on many of the advertisements was “The Redemption of Terry Malloy.”  On the Waterfront tells us that redemption has a price, but it’s worth it.  Redemption, according to the film, does not come from the barrel of a gun.  It comes from being willing to suffer for good.  Terry suffers terrible things for choosing to act towards good.  He loses his job.  He loses his brother.  Ultimately, he takes a beating reminiscent of Jesus before the cross.  Terry’s redemption is not unlike Jesus redemption of Peter after the resurrection for betraying Him in the courtyard.  Terry is given a similar situation at the end of the film to choose a different path than he chose earlier, much like Peter.  Instead of taking a fall for the easy money, Terry stands up after being knocked down.

On the Waterfront deals heavily with Christian themes.  In fact, the movie is almost entirely a study of Christian ethics.  It makes it fantastic to watch if you are looking to film to help you progress in being like Christ.  The film is devastatingly poignant in revealing that the real reason we do nothing as Christians is often because it financially benefits us or we are cowards.

Father Barry’s speeches are the highlight of the film.  After standing by and doing nothing in the beginning he realizes the falseness of his actions when compared to Christ.  As he says, “If you don’t think Christ is down here on the waterfront you’ve got another guess coming!”  From that point, Father Barry declares that if anyone stands up for good then he will stand up for good with them no matter what the consequences.  It reminds us of Christ being willing to share in our suffering.  It also reminds us that our purposes are not earthly, but heavenly.

I like the Christianity in this film.  The Christianity portrayed is valiant.  It is courageous.  It cares.  It has an eye on the eternity.  It also has earthly implications.  It is defiant in the face of evil.  It acts.  Is it still that way today?

“If I spill, my life won’t be worth a nickel.” – Terry

“And how much is your soul worth if you don’t” – Father Barry

What The Deer Hunter Thinks – Oscar Series # 5

(All media is telling you something.  This is the fifth post of a series where I take a look at the thoughts conveyed through Oscar winning movies. This isn’t a typical critique where I say I liked blah about the movie because of blahbity blah.  I’ll make an attempt to take a look at themes in general and on Jesus and Christianity.  Spoilers are a necessity on this so be warned!  I will assume you have already watched this movie.  Previous entry in series: Rain Man.)

The Deer Hunter

Best Picture, Best Director (Michael Cimino), Best Supporting Actor (Christopher Walken) – 1978

“A deer has to be taken with one shot. I try to tell people that but they don’t listen.” – Michael

A lot of the analysis of The Deer Hunter has attempted to force a parable out of it regarding America’s role in the Vietnam War.  The problem with that is that The Deer Hunter isn’t really about Vietnam.  Vietnam is almost a giant MacGuffin to The Deer Hunter.  If the movie is saying something about it, it is only an afterthought.  What The Deer Hunter really thinks is that Russian Roulette makes a dramatic story element.  Multiple members of the cast, the director, and a lot of people that produced this movie have confirmed that it is not about Vietnam.  In fact, the script was originally about a man who professionally played Russian Roulette.  Vietnam was added later.  Any attempt to analyze the message of the movie needs to keep this at the forefront of its thoughts.

Because the setting is secondary to the purposes of the film makers, the Deer Hunter seems determined to not be definitive about any topic.  It prefers to let its dramatic Russian Roulette story element play out in three long chapters with ambiguous beginning and ending points in their narratives.  The sheer length and abundance of empty scenes fuzzify any attempt at a direct point – perhaps purposefully.  If you like to watch films that don’t spell out an agenda to you, this is your film.

That doesn’t mean that The Deer Hunter isn’t trying to say anything at all.  For example, we are repeatedly told in the beginning by the films protagonist that a deer should be taken with just one shot.  By repeatedly saying this, The Deer Hunter is telling us that it believes that if you shoot a gun, you should do so with purpose, precision, and careful preparation.  People who don’t take the care to do just that are lost.  Lesser.  The character Stan is the embodiment of this.  There is a subtext, perhaps, telling us that a drunken, wildly distracted America has lost sight of the value of life wielding its power and freedom carelessly.

The Deer Hunter proceeds to tell us that using a gun without a purpose to shoot only once in a directed way has consequences in the real world.  Russian Roulette, of course, is the opposite of wielding a gun with the purpose of taking one directed shot.  It affects not only the people participating in it (because the willingness to pull the trigger, even with coercion, requires you to give up life in some way) but it also affects the people at home as well because they must deal with the consequences.  It shows abandonment to the value of life by the player and the people betting on it.  Again, perhaps, there is intention in the film to draw a parallel to the U.S. involvement in Vietnam.  I’m not sure I buy that, though.  If so, the film’s heart is not in it.

The film begins with a drunken wedding.  It ends with a sober funeral.  From this I gather that The Deer Hunter thinks we need to sober up both individually and as a country.

God is a strong and purposeful undercurrent of the film, particularly in meditation on how God works within duty to country.  The beginning of the film takes place in an immaculate church building with a wedding.  A church choir plays strategic prominence both at the wedding and later in the first deer hunting scene.  A banner hangs in the background of the wedding chapel displaying the message “Serving God and Country.”  The characters at the beginning of the film drunkenly sing “Drop Kick My Jesus Through the Goalpost of Life”.  The films highly debated final scene centers on the cast singing God Bless America.

As stated above, the film seems determined to not take a stance on anything so it’s hard to say what it is trying to say about God other than that He is a foundational part of the American life.  Taking the scenes at face value I see a bunch of people who go to a place with God’s name on it but are not Godly at all in the way they act.  These people seem to have no relationship with a living God.  If anything, according to the film, God’s name is used flippantly to authorize our excesses without bothering to realize that we haven’t had a real relationship with him for a long time.

Perhaps that is the meaning of God Bless America at the end.  Or maybe not.  I get the gut feeling that it was not meant to be ironic at all.  Who could know for certain?  You couldn’t get a definitive answer from the film itself because delivering a message is not what it really cares about.  It simply wanted intense moments and to provide the thrill of feeling the pain of its characters as the result of those moments.  Regardless, the watcher should take the opportunity to ask itself at the end if America really should be blessed by God.

Or maybe a better question would be: Is America blessing the people of the world through being like God?

I don’t think about that much with one shot anymore, Mike.” 

You have to think about one shot. One shot is what it’s all about.”